Photojournalism

Photography's ability to record events “seemingly” as they happen is one of its great strengths…and questionable weaknesses.

 

Short History:
The earliest news photographer were taken on daguerreotypes by Hermann Biow and C.F. Stelzner of the results of a disastrous fire in Hamburg in 1842. These views never made it into the illustrated news magazines of the day, but soon other news events recorded by photographers were seen in the newspapers, first as engraved copies and later as photomechanical reproductions. Wars, disasters, affairs of state, crimes, photo interviews, and even ordinary, everyday events were all subject to the camera.

 

 

 

© International Center of Photography
Weegee
American, New York City, October 9, 1941; print, about 1950
Gelatin silver print
10 1/8 x 11 in.
86.XM.4.6

 

 

Today photojournalists cover the world, with modern communications bringing photographs of important events to the public within hours of their occurrence. Some of the best photojournalists have joined into groups such as Magnum and Black Star for marketing their images and have had great influence on the style of photojournalism.

Consider what is included and what is excluded via cropping, framing, lighting, composition, color, texture, balance, perspective, motion and proportion (The basic elements from the Temple of Art).

See also Photojournalism http://en.wikipedia.org/wiki/Photojournalism


War Photographers:

 

From Robert Capa's 1936 photograph "Falling Soldier" Robert Capa, Death of a Loyalist Soldier, 1936 to Joe Rosenthal's Pulitzer Prize-winning image of Marines raising the flag on Mount Suribachi, Iwo Jima Joe Rosenthal, Raising the Flag over Iwo Jima there is a deep fascination with capturing the emotional, physical and psychological essence of war.

 

Robert Capa:

Bio and most famous photographs http://www.pbs.org/weta/reportingamericaatwar/reporters/capa/

Falling soldier controversy http://www.pbs.org/wnet/americanmasters/database/capa_r.html

 

Joe Rosenthal:
http://www.spartacus.schoolnet.co.uk/USAProsenthal.htm

http://www.iwojima.com/raising/raisingb.htm

http://www.newseum.org/warstories/interviews/mov/journalists/bio.asp?ID=32

http://en.wikipedia.org/wiki/Raising_the_Flag_at_Ground_Zero

 

Gilles Peress:

http://www.artsmia.org/get-the-picture/peress/

http://www.metmuseum.org/toah/ho/11/eusb/hob_1998.180.1.htm

 

James Nachtwey

http://www.jamesnachtwey.com/

 

American Photojournalist http://www.americanphotojournalist.com/story.php?storyid=66

 

Photographers of the Civil War:

http://en.wikipedia.org/wiki/Photography_and_Photographers_of_the_American_Civil_War

http://memory.loc.gov/cgi-bin/query/v?ammem/cwar:0001-0014:T1

 

http://lcweb2.loc.gov/pp/cwphtml/cwpabt.html

 

Sam Shere, Bruning of the Hindenburg, Lakehurst, N.J. May 6, 1937

Alfred Eisenstaedt, Joseph Goebbels, Hitler's Propaganda Chief, 1933

Bob Jackson, Jack Ruby Shooting Lee Harvey Oswald, Dallas, Nov. 24, 1963

 

War Stories

http://www.newseum.org/warstories/exhibitinfo/artifacts.htm

 

War Pornographers

 

Social Landscape Photography

Since the birth of photography, photographers have been documenting the social landscape - the people, events, and artifacts that present a cultural and social picture for the times. Most photographers recording the social landscape were concerned with a kind of truth that they felt the photographic process gave and for that reason did not manipulate the images in printing. War photographers, photojournalist, social documentary photographers - all contributed to their vast body of work. Some of this work was done with specific agendas such as work done for the Farm Securities Administration, although it was performed in a way that attempted to be objective.

 

Walker Evans in His Own Words (4:38)

 

Dorothea Lange
Dorothea Lange photographed migrant workers, sharecroppers, tenant farmers, and other victims of the Depression in 22 states, primarily in the South and West, between 1935 and 1942. Her "Migrant Mother" (1936) is one of the classic images of the period.
http://www.ibiblio.org/channel/Lange.html

Series of pictures a photographer must take to get the one which communicates most deeply. http://xroads.virginia.edu/~UG97/fsa/lang.html

Migrant Farm Families http://www.historyplace.com/unitedstates/lange/index.html

 

In the 1950's Swiss photographer Robert Frank used straight photography techniques in a new way to show the social landscape from a distinctly personal and idiosyncratic viewpoint. His photographs of America published in the book Les Americans in 1958 raised considerable furor because of the uncomplimentary and cynical view of America he presented. Frank’s work had a strong visual influence on a generation of photographers.

In the 1960's Diane Arbus, Lee Friedlander, Garry Winogrand and Danny Lyon used social landscape to show images of the fringes of society - those considered to be aberrants or freaks.