writings & recordings


"Recipe for Mixing" essay in Other Tongues: Mixed-Race Women Speak Out. Inanna Press, Toronto, Canada. 2010.

"enso-maesthetics—emerging shapes," a graphic text response to Richard Shusterman's Body Consciousness: A Philosophy of Mindfulness and Somaesthetics. Action, Criticism, and Theory for Music Education, a refereed journal fo the MayDay Group. 2010

Sensational Knowledge—Embodying Culture through Japanese Dance. Middletown, CT: Wesleyan University Press. 2007. Avail. through Wesleyan University,UPNE and Amazon.com.

" 'It's the RUSH....that's what drives you to do it'—sites of the sensually extreme." The Drama Review: the journal of performance studies. 2006.

"Emerging voices—encounters with reflexivity." Atlantis: A Women’s Studies Journal /Revue d'etudes sur les femmes, Special issue: Women, Arts, Politics/Power. Published by The Institute for the Study of Women, Mt. Saint Vincent University, Halifax, Canada. 2006

“Shifting Selves: Embodied Metaphors in Nihon Buyo.” Contributing author for book Women and the Worlds of Music: Past and Present, edited by Jane Bernstein. Boston, MA: Northeastern University Press. 2004.  

“Japanese Aesthetics—Pondering time and space.” In Let's Go: Japan, a travel guide. Boston, MA: Let's Go, Inc. Publisher. 2004.

"Recording Field H" (DVD) Deep Listening Publications, Kingston, NY. 2004.

“Pikapika—the Collaborative Composition of an Interactive Sonic Character.” Tomie Hahn, Curtis Bahn. Organised Sound: An International Journal of Music Technology. vol. 7 no. 3. 2003.

“Flying Monsters.” Poem for 83 Words e-zine, Swank Writing. http://www.swankwriting.com/ September 2003.

“Singing a Dance: navigating the musical soundscape in nihon buyo” Asian Music Journal vol. 33, no. 1: 61-74. 2002.

“Physicality and Feedback: a focus on the body in the performance of electronicmusic. ” Curtis Bahn (RPI), Tomie Hahn (Tufts), Dan Trueman (Colgate). “Extended paper,” Proceedings of the International Computer Music Conference: 44-51. 2001.

“A Focus on the Body in the Performance of Electronic Music.” Curtis Bahn(RPI), Tomie Hahn (Tufts), Dan Trueman (Colgate). Proceedings of the IEEE Multi-Media Technology and Applications Conference (MTAC): 15-20. 2001.

CD-ROM, written text and selection of musical recordings for the “MusicTour,” a random access audio-visual guide to the Asian art collection permanent collection, the Walters Art Museum, Baltimore, MD. 2001.

Boston Cyberarts Festival Catalog. CD-ROM promoting and documenting the Boston Cyberarts Festival. Inclusion of video of “Pikapika.” Contributing Authors include Tod Machover, Neil Leonard, Eric Chasalow and others. Jamaica Plain, MA: Boston Cyberarts Festival. 2001.

Annenberg/CPB Multimedia Collection, Japanese music segment for the video series, telecourse,textbook, and CD set, Exploring the World of Music: An Introduction to Music from a WorldMusic Perspective. Pacific Street Films and the Educational Film Center. South Burlington, VT:Annenberg Series. 1999.

“Birdwing. ”Frances White (composer), Tomie Hahn (shakuhachi). International Computer Music Association Commission Awards-1994-96. Multi-contributor CD. Baton Rouge, LA: Centaur Records, CDCM Computer Music Series. 1997.

“Teaching Through Touch: An Aspect of the Kinesthetic Transmission Process of Nihon Buyo. ”In The Body in Dance: Modes of Inquiry, Paradigms for Viewing Artistic Workand Scientific Inquiry. Proceedings of the Congress on Research in Dance. 1996.

Shakuhachi music for “After the Quake,” National Geographic Special documentary film on the Kobe earthquake. New York,NY: Mad Park Records. 1995.





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