Deep Listening Convergence
Deep Listening ConvergenceDate posted: 2007-06-08 10:52:29
From Friday's TU: Meditative music mines the depths of listening
By JOSEPH DALTON
In 1988, accordionist and composer Pauline Oliveros made a recording
with a trombone player and a percussionist inside a 2 million-gallon
empty cistern buried 14 feet below ground at Fort Worden, near Port
Townsend, Wash. The resulting CD on New Albion Records was titled
"Deep Listening," a play on the unusual location and also an apt
description of the trio's meditative and reverberant improvisations.
Soon thereafter, Oliveros realized "Deep Listening" more broadly
described the aesthetic approach to contemporary music she had been
pursuing for 30 years. While it can seem abstract, deep listening
might be described as "musical mindfulness," in which the composer or
other artist approaches the work from a position of deep awareness.
Oliveros began using the term in her myriad activities as a performer
and teacher, and started offering training and certification in deep
listening techniques. A few years ago, she renamed her Kingston-based
organization the Deep Listening Institute.
Deep listening is no longer underground. This weekend, three Hudson
Valley locations will host concerts that mark the culmination of the
Deep Listening Convergence, a coming-together of 45 musicians from
across North America and Europe that began in January with online
dialogues and rehearsals.
Yes, online rehearsals. Since the 1950s, when she experimented with
the then-new medium of electronic tape, Oliveros, 74, has remained at
the forefront of technology, and the Internet has long been one of
her tools. Participants in the Deep Listening Convergence used the
networking program Skype to improvise and rehearse new compositions.
Like a telephone conference call, Skype allows up to 10 computers to
give and receive audio and video information in real time.
"I was sitting here in my kitchen and hearing four people from
different cities in Switzerland and four from Canada and others from
the U.S.," said Oliveros last week from her home in Kingston. "It was
great. They did a long and goofy improvisation."
Whether they are goofy or serious or a bit of both, a lot of deep
listening compositions are in store this weekend. Each of the three
concerts, at venues in Troy, Hudson and High Falls, will have a
different program of new works, from solos to large ensemble pieces.
The instruments at hand are also diverse, and will include
traditional Western instruments, drums and folk instruments, plus
electronics. Vocalizing and some movement will be part of the mix as
Among the new works is "Spiral Tap," by Sarah Weaver, 29, a
trombonist and composer from Chicago. She composed the new work using
deep listening techniques to explore the number sequences represented
in the spirals of a seashell. It will be performed by six musicians
playing conch shells.
"Everyone using the (Deep Listening) system is more in touch with
their authentic selves and a new level of communication is available
that's not there in other compositional systems," says Weaver, who's
in the process of moving to New Paltz. She plans to become Oliveros'
apprentice in Kingston and also start an ensemble in Manhattan.
Like most of the participants in the convergence, Weaver has
completed a three-year training to become certified in deep
listening. Over the years, Oliveros has spread the word -- and the
sound -- of deep listening far and wide. Her institute offers a
variety of special workshops and summer retreats, and Oliveros has
been teaching deep listening at RPI for the past six years.
One method Oliveros uses to track the reach of deep listening is a
"Google Alert," in which the search engine sends her a message every
time it spots a new Web site using the term.
"I get alerts every day," says Oliveros. "The usage includes all
kinds of musicians and it includes religious and spiritual groups.
It's becoming very common."
Deep Listening Convergence
What: Bringing together 45 composers/performers from across the
United States and Europe to three days of music-making and listening.
When: 8 p.m. Friday, The Sanctuary for Independent Media, 3361 Sixth
Ave., Troy; 8 p.m. Saturday, Time & Space Limited, 434 Columbia St.,
Hudson; 3 p.m. Sunday, LifeBridge Sanctuary, 333 Mountain Road, High
Tickets: $8-$10 per concert
Info: (845) 338-5984; www.deeplistening.org/site/convergence
March 18, 2019 6:00 PM
EMPAC Studio Beta
Alison S.M. Kobayashi will show a range of her award-winning video works and discuss her most recent endeavor, Say Something Bunny! Kobayashi’s critically acclaimed experimental theater work.